With its vast world building and incredible depth of intrigue, “Dune “ by Frank Herbert is arguably one of the most comprehensive fantasy science books ever written. Since its publication in 1965, the book has garnered critical acclaim, winning the Hugo Award for Best Sci-Fi Book in 1966 and building up a cult following comparable to other literary titans such as “the Lord of the Rings. “

Given this level of success, one would be quick to assume ”Dune ” is a monumental achievement in literature, but anyone who has read the book will quickly tell you that this is not necessarily the case.

While its author Frank Herbert was certainly a visionary in the breadth of his vision for the book, it is clear that he is not as good as a writer as “Dune ” suffers from a number of flaws which make it more difficult to read than most books.

The book is an incredibly dense read, spanning over 800 pages of dry politics, foreshadowing, and character development, skimping on what could have been a very dramatic and compelling plot.

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Fortunately, these attributes did not prevent Dunelong-term success, as the book has persisted as a mainstay of science fiction reading for years, covering audiences of all generations.

But the recent release of “Dune ” on the silver screen marks a number of triumphs in the continuing narration of “Dune “ because the creators have tried and failed to do the story justice on several occasions in the past. Most notable of these was a 1984 film adaptation, which failed at the box office, recouping just $ 30 million from its original budget of $ 40 million.

If it remains to be seen how “Dune“ will succeed in the long run, it’s safe to say that this side of the story looks set for success as the film skyrockets in a number of areas where its source material couldn’t deliver on its own.

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The most notable of these film’s successes is in its score. The music in “Dune“ is simply flawless, in large part thanks to the brilliant work of its composer Hans Zimmer, who was actually a fan of “Dune “ before signing for the film. Zimmer, whose work has been featured in franchises such as “Pirates of the Caribbean”, “Batman” and “James Bond”, paid special attention to the composition of the score by incorporating a vibrant but alien feel to his compositions. .

This level of care is readily apparent throughout “Dune, “ as the film is ripe with floating melodies and raucous bass tones, instantly conveying to the viewer the sense of wonder Herbert wanted “Dune ” to get.

The visuals for the film are also worth considering, which shows that the producers spared no expense in creating the rich world of Dune. From desert quicksand to high mountain cliffs and colorful skies, “Dune “ is as pleasant to watch as it is to listen to. The CGI is also top notch, depicting alien characters from another world, terrifying killer sand worms, and intense explosions throughout the film’s two hours and 35 minutes.

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Another success for the film came in its casting, allowing skilled actors to deliver stellar performances in many key roles throughout the film. Stephen McKinley matched the robotic nature of his character Thufir Hawat perfectly, Oscar Isaac is a poised but emotional Leto Atreides, and Josh Brolin’s portrayal of Gurney Halleck seems to instantly match how his character has been portrayed in the books.

For these reasons – and a number of others – it is safe to say “Dune ” is a triumph over its source material, offering nuance and depth in areas beyond the reach of a paperback. Needless to say, all eyes will be on theaters anxiously awaiting his companion film in the future which has already been announced.