How the V / H / S series avoided a big found footage movie complaint
Found footage horror movies often have to deal with a particular complaint, but the V / H / S series has found different ways to avoid this.
Horror movies of found footage often face a big problem that’s hard to avoid, but the V / H / S franchise has managed to do this in a number of ways. For most audiences, the years 1999 The Blair Witch Project this was the first time they had seen the footage format found in the context of a horror movie, while Paranormal activityThe success of a decade later led to the subgenre being the new horror movie craze. The V / H / S the series has grown into its own franchise as the found footage has grown in popularity, and as it now continues with the latest entry V / H / S / 94 he brought his own unique twist to the concept.
The V / H / S the films combine footage found with the anthology model, each installment involving the discovery of VHS tapes with their own individual, stand-alone stories. This approach made the franchise stand out even among found footage movies, with audiences getting multiple shorts for the price of one with each movie. Of course, unless they happen during a Zoom call (arguably to their detriment), the biggest issue this subgenre faces is the question of why the characters keep filming in horrible situations where most people would just drop the camera and run. The V / H / S The franchise model has helped movies sidestep this problem in several very unique ways.
By merging found images with a horror anthology, the V / H / S the films present their scary stories with the duration of short films rather than feature films. Most of the individual segments are around fifteen to twenty minutes long maximum, there is less time when characters have to film monsters, killers or supernatural phenomena like in The Blair Witch Project. Even with longer segments like “Amateur Night“ first V / H / S Where V / H / S 2‘s “Safe haven“ venturing further into the half-hour window, on-screen events develop in a crescendo, with the most gruesome parts taking place in the final minutes.
This means that the characters spend less time fleeing in terror in each segment, which leaves much less room for the question of why they always film to creep in like the average found footage movie. In addition to this, many individual short films in the V / H / S the series have also found creative ways to get around the problem by placing cameras in areas that don’t require the characters to wear them as they would in other contemporary found footage films like Crawl.
Some examples include “Amateur evening“ have a camera installed on the main character’s glasses, as well as V / H / S 2“Phase I: Clinical Trials” or “A Ride In The Park” with a camera installed in an experimental synthetic eye and a camera mounted on a cyclist’s helmet. Sometimes the bad guys V / H / S are the ones doing the filming, as seen in the segment of the original movie “Second Honeymoon”.
Other found footage movies have used their own methods to avoid the subgenre’s most pervasive problem, such as Paranormal activity keeping its cameras mainly fixed or Without friend takes place during a video chat. As the films of found images have evolved, the V / H / S the franchise has done a particularly commendable job of adapting to the problem, keeping its found footage segments short enough that the suspension of disbelief is easier on viewers, and when the opportunity presents itself, by strategically placing cameras in areas where traditional filming is not required.
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